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When RaMell Ross signed on to direct the adaptation of Colson Whitehead’s Nickel Boys, he wanted nearly the entire film to be shot from the first-person perspective. Here’s how he pulled off one of the year’s best and most ambitious movies.
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When RaMell Ross signed on to direct the adaptation of Colson Whitehead’s Nickel Boys, he wanted nearly the entire film to be shot from the first-person perspective. Here’s how he pulled off one of the year’s best and most ambitious movies.
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